Archive for April, 2010

FRESH HORIZONS: North Shore

Wednesday, April 28th, 2010

From April 7-9th 2010, we ran a Fresh Horizons workshop hosted by Northcote College.  The Pacific Artists who tutored the workhops were:

Courtney Meredith Samoan/Cook Island and Irish ancestry.  An English Major from the University of Auckland with a successful background in public speaking, composition and performance.  In 2008 she won the Going West Poetry Slam, and the Montana Poetry Slam.

Dagmar Dyck Tongan/German descent. She graduated from Elam School of Fine Arts in 1996, and has been exhibiting since 1993. She is a painter and a printmaker.

Matthew Salapu Faiumu Samoan; producer, pianist, songwriter and rapper. Aka ‘Anonymouz’ he is a classically trained musician and has been widely involved in the NZ music industry.

Chris Charteris “To the heart of the matter”, May 16th – 12th June 2010.

Monday, April 19th, 2010

FHE GALLERIES  PRESS RELEASE:

Chris Charteris, "Heart of the matter", 2010

CHRIS CHARTERIS

“To the Heart of the Matter”

Making the ordinary “extraordinary” has for more than twenty years underlined the motivation and passion in Chris Charteris’ work. The forth-coming exhibition, “To the Heart of the Matter”, showcases the depth and intensity behind Chris Charteris’ sculpting career.  

The heart symbol is a new motif for Charteris, seen in this exhibition for the first time.  It explores the essence of the heart as a deeply felt metaphor.  As a symbol it has become overloaded with meaning and significance to the point where it would seem empty and a cliché; “and this was a challenge to work with” says Charteris. 

He comments:

The hardest part is the space before an idea.

I wanted to revert our attentions back to the original connotations of the heart symbol.

My symbols and motifs are often rooted in Pacific heritage – they relate to cultural forms and designs.  They also relate to my family and a sensation of belonging and spirituality.

Despite all efforts if is hard to transcend your own culture but there are many concept and symbols that have universal meaning.  My work relates back to the Oceanic by finding forms that are universal; I bridge all the cultures together. 

Charteris’ cultural background and personal philosophy are apparent in his work.  Referencing the Maori notion of taonga, he believes that everything is a living thing, that even inanimate objects possess a life essence;

Rocks are not dead – their spirituality and energy are eternal. 

The life of an object is continuous; it is impacted and influenced by the way in which it interacts with other people. 

“To the Heart of the Matter” consists of a variety of sculptural objects including contemporary light boxes, large-scale adornments and traditional carving.

Chris Charteris’ work is sought by collectors all over the world and his “Navigator’s Necklace” has recently been acquired by the British Museum and is currently on show in London.

His works are in tune with nature; melting into the environment whilst dwelling upon some of the most beautiful and intimate details that we may often overlook. 

The show is to run from the Sunday 16th of May to Saturday 12th of June 2010. 

Website: www.fhegalleries.com

Image – Chris Charteris, Heart of the Matter, 2010 

Call for papers

Tuesday, April 13th, 2010

Editors Dan Rycroft, George Lau and Veronica Sekules are seeking submission of work for a new journal, World Art, publishing through Taylor and Francis from 2011.

“We encourage contributions in the form of research articles, position pieces, visual essays, dialogues etc. We anticipate that this journal will become a showcase for the academic, creative and museological excellence of colleagues in the inter-related fields of world art history, contemporary arts, indigenous studies, heritage studies, visual anthropology, community archaeology, de-colonisation etc.

We also hope that the journal will establish dialogues and collaborations – between disciplines, practices and professions – as away to address new issues and debates in world art studies and in related post-western contexts.”

Linked is a pdf call for contributions to the first volume on ‘Making, sensing, writing: what are the possibilities for world art?’

World Art call for Submissions

Visit http://www.tandf.co.uk/journals/RWOR for details,

World Art worldart@uea.ac.uk