Samiu Napa’a
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Untitled, 2003 |
The concept of portraiture suggests a measure of respect and grandeur that as captured so stunningly in the portrait painted of his mother, Mele Napa’a. The detail of her aged face, the locked gaze and the halo-like glow around her head accents the dignified process of portraiture.
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Homies, 2003 |
Samiu’s application of traditional portrait painterly technique to contemporary images of young Tongans in New Zealand echoes his perception of their displacement in a foreign society. They stand as a proud validation of traditional Tongan values fused with Western ways of life. He enjoys this relationship and plans to develop his studies of Tongan youth culture.

























