Postcards Unlocked #1 | Jasmine Togo-Brisby

Australian South Sea Islander (Vanuatu) multi-disciplinary artist based in Wellington, Aotearoa.

Postcards Unlocked #40  | Jasmine Togo-Brisby

Our ancestors would call ‘had wok’, they wouldn’t call it ‘sugar’, they would say “Passem had wok” (pass the hard work).

We were used to create sugar… So, I use sugar to create for us.

Jasmine Togo-Brisby, Detail of Re:finery, 2016 (Chelsea sugar bags & tapioca)

 

Jasmine Togo-Brisby, Bitter Sweet, 2015 (unrefined sugar & resin)

I have been locked out of my studio for 4 weeks and I’m finding that my current creative outlet lies within the kitchen. I reach for the bag of sugar and pour it into the pot of coconut milk. This is not my first batch of pani popo since lock down. My daughter stands at the bench behind me and slathers heaped spoonfuls of golden syrup onto coconut fried scones… And all over the bench. Occasional treats have turned into frequent requests. Warm, sweet, reliable comfort food, served up as symbols of love to my family during these trying times.

Our relationship with sugar however surpasses that of its soothing and addictive lure, the sweetness belies our bitter history. The genesis of our story is often referred to as blackbirding, a widely used but euphemistic term for the Pacific slave trade. Early Australian sugarcane plantation owners employed a strategic economic policy of sourcing ‘indentured labourers’ from the Melanesian archipelagos. As South Sea Islanders, Australian born descendants of the Pacific slave trade, these sugar companies are part of our history and material culture.

 

Jasmine Togo-Brisby, Re:finery!, 2016 (Chelsea sugar bags & tapioca)

We are a Pacific slave diaspora, displaced and disenfranchised in Australia through forced migration. Our community has had to reconcile the loss of customary practices and create new practices to tell our stories and ways of being. In the practice of reclaiming of cultural identity, I reach for sugar. Raw and unrefined. I produce uniquely South Sea hybrid forms constructed from the binaries of loss and creation. Our ancestors would call it ‘had wok’, they wouldn’t call it ‘sugar’, they would say “Passem had wok” (pass the hard work).

 

We were used to create sugar… So, I use sugar to create for us.

- Jasmine Togo-Brisby


The 'Postcards Unlocked' Project featured 40 artists over 40 days via Tautai’s social media platforms as we navigated new waters during the 2020 Aotearoa Lockdown.

Learn more about the project here.